- Once (2006)
- All the President's Men (1976)
- Being John Malkovich (1999)
- In the Year of the Pig (1968)
- In The Mood For Love (2000)
- Hole, The (1960)
- Tokyo Story (1953)
- Ocean’s Eleven Blu-Ray Review
- Jurassic Park (1993)
- Gilda (1946)
- Rounders (1998)
- Masque of the Red Death, The (1964)
- Django Unchained (2012)
- Fat City (1972)
- Amélie (2001)
- All That Jazz (1979)
- Night of the Hunter, The (1955)
- King of Comedy, The (1983)
- Manhattan (1979)
- Mishima: A Life in Four Chapters (1985)
- Sullivan's Travels (1941)
- Adventures of Priscilla, Queen of the Desert, The (1994)
- Hecklefest Four-Word Film Reviews! August '12 - Week 4
- Playtime (1967)
- Crouching Tiger, Hidden Dragon (2000)
- Haunted Castle, The (1921)
- Last Wave, The (1977)
- Naked Lunch (1991) * Weird and Wacky *
- Phantom Carriage, The (1921)
- Lolita (1962)
Sergei Eisenstein
Master Of The Montage
The hieroglyphic language of the cinema is capable of expressing any concept, any idea of class, any political or tactical slogan, without recourse to the help of a rather suspect dramatic or psychological past.
- Sergei Eisenstein
Without the artistic mind of Sergei Eisenstein, I'm sure the montage would have been discovered, of course, but to have it come to pass so early and so perfectly at the hands of this innovator, certainly turned baby steps into strides of certainty.
RUSSIAN-SUBJECT FILMOGRAPHY:
Strike (1925)
The Battleship Potemkin (1925)
Alexander Nevsky (1938)
Ivan the Terrible, Part One (1944)
Ivan the Terrible, Part Two (1958)
OTHER CONTRIBUTIONS:
Avant Garde: Experimental Cinema Of The 1920s And '30s (1921-1939)
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