- Casino Royale Review
- Carrie (1976)
- Two-Lane Blacktop (1971)
- Trainspotting (1996)
- Rain Man (1988)
- Fatal Attraction (1987)
- Targets (1968)
- An Education (2009)
- Mirror, The (1974)
- Fargo (1996)
- Fight Club (1999)
- Do The Right Thing (1989)
- Report (1967)
- Is "The Sting" The Best Gambling Film Ever Made?
- Pink Flamingos (1972)
- Ox-Bow Incident, The (1943), Or 28 Angry Men
- Rome, Open City (1945)
- Spring in a Small Town (1948)
- Drive (2011)
- Vinyl (1965)
- Seconds (1966)
- Rosemary's Baby (1968)
- A Hollywood Invasion of Casino Halls
- Thin Man, The (1934)
- In The Heat of the Night (1967)
- All In: The Poker Movie, Player’s Best Tricks
- Invasion of the Body Snatchers (1956)
- 1001 Club - Skyfall (2012)
- 1001 Club - When Harry Met Sally... (1988)
- 1001 Club - Rain Man (1988)
Sergei Eisenstein
Master Of The Montage
The hieroglyphic language of the cinema is capable of expressing any concept, any idea of class, any political or tactical slogan, without recourse to the help of a rather suspect dramatic or psychological past.
- Sergei Eisenstein
Without the artistic mind of Sergei Eisenstein, I'm sure the montage would have been discovered, of course, but to have it come to pass so early and so perfectly at the hands of this innovator, certainly turned baby steps into strides of certainty.
RUSSIAN-SUBJECT FILMOGRAPHY:
Strike (1925)
The Battleship Potemkin (1925)
Alexander Nevsky (1938)
Ivan the Terrible, Part One (1944)
Ivan the Terrible, Part Two (1958)
OTHER CONTRIBUTIONS:
Avant Garde: Experimental Cinema Of The 1920s And '30s (1921-1939)
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