- Once (2006)
- All the President's Men (1976)
- Being John Malkovich (1999)
- In the Year of the Pig (1968)
- In The Mood For Love (2000)
- Hole, The (1960)
- Tokyo Story (1953)
- Ocean’s Eleven Blu-Ray Review
- Jurassic Park (1993)
- Gilda (1946)
- Rounders (1998)
- Masque of the Red Death, The (1964)
- Django Unchained (2012)
- Fat City (1972)
- Amélie (2001)
- All That Jazz (1979)
- Night of the Hunter, The (1955)
- King of Comedy, The (1983)
- Manhattan (1979)
- Mishima: A Life in Four Chapters (1985)
- Sullivan's Travels (1941)
- Adventures of Priscilla, Queen of the Desert, The (1994)
- Hecklefest Four-Word Film Reviews! August '12 - Week 4
- Playtime (1967)
- Crouching Tiger, Hidden Dragon (2000)
- Haunted Castle, The (1921)
- Last Wave, The (1977)
- Naked Lunch (1991) * Weird and Wacky *
- Phantom Carriage, The (1921)
- Lolita (1962)
Broken Blossoms (1919)
"Ching-a-ling Chong Ching?" "What the Hell did you just say, lady?"
Genre: Silent Drama Romance
Overview: A pilgriming Buddhist goes to America with plans to teach temperance. An angry boxer beats on his adopted daughter. When the daughter flees, she finds solace in the Chinese man's shop.
Lillian Gish (below), is like some insane mistress of silent cinema. Sure she did some things that were questionable in their politically correct standings, but they were very early. I blame the direction and the era rather than the actress. I was actually quite impressed with the portrayals of all the actors. Quite impressive. Some really heavy and intense moments to be enjoyed.
The look of East London, though low-budget, was well done. The opening China scenes were really well done, and the shop belonging to the 'Yellow Man' had some nice trinkets and such. Not a real visual spectacle, but with little touches like vignetting and background images on the script, it definately boosts the appeal.
This actually impressed me very much. Not that it's poetry or anything, but there are some really floral little descriptions, rather than simply dialogue lines and such. I can't say I was too impressed at the phonetic spelling of the East London accented script, but at least they didn't do it for the chinese man's words. The theme of flowers was well maintained, and particularly because of the script.
This story is nice and simple and you know from the start, just from the music really, that it's going to end bad. I'm not saying it's predictable, but I must say a couple of the scenes were really heart-wrenching. I quite enjoyed this story, it's honest.
With more than just piano in the score, we're happy. As for the ever-present theme of flowers, that brings the score up a good notch. The racial slurs, though squint-inducing, really did a great job of placing us in the world of this pariah and his ward. Given the present day setting it was in, I was very impressed at how good this aspect of the film was.
Gish the dish!
Overall Rating: 80% (Nothing Broken About This Production)
D.W. Griffith may select interesting and controversial topics for his films, but he's one of the trendsetters and his influence is eternal. Not only that but it turns out he actually makes some good movies (I was afraid after Birth of Nation). The more films I see from that 1001 Movies book, the more I see it as a good and valuable guide to the history of film. Number 10, about 900 left.