- Casino Royale Review
- Carrie (1976)
- Two-Lane Blacktop (1971)
- Trainspotting (1996)
- Rain Man (1988)
- Fatal Attraction (1987)
- Targets (1968)
- An Education (2009)
- Mirror, The (1974)
- Fargo (1996)
- Fight Club (1999)
- Do The Right Thing (1989)
- Report (1967)
- Is "The Sting" The Best Gambling Film Ever Made?
- Pink Flamingos (1972)
- Ox-Bow Incident, The (1943), Or 28 Angry Men
- Rome, Open City (1945)
- Spring in a Small Town (1948)
- Drive (2011)
- Vinyl (1965)
- Seconds (1966)
- Rosemary's Baby (1968)
- A Hollywood Invasion of Casino Halls
- Thin Man, The (1934)
- In The Heat of the Night (1967)
- All In: The Poker Movie, Player’s Best Tricks
- Invasion of the Body Snatchers (1956)
- 1001 Club - Skyfall (2012)
- 1001 Club - When Harry Met Sally... (1988)
- 1001 Club - Rain Man (1988)
Children Of A Lesser God (1988)
Gotta give it this: Amazing title
Genre: Romance Drama
Starring: William Hurt (Smoke • Broadcast News), Marlee Matlin (“The L Word” • What the #$*! Do We (K)now!?)
Directed By: Randa Haines (Dance with Me)
Overview: When a speech teacher joins the faculty of a school for the deaf, he finds himself taken by the janitor, a woman who was once top of her class.
This paragraph is strictly for those who’ve seen the film, who never plan on seeing the film, or who don’t mind every hook, line and twister being ruined before they see it (you people are weird)...
Click here to skip the spoiler bit.
When we begin Children of a Lesser God, it seems a tale of James the teacher facing the old guard, unwilling to accept the obvious shake ups James plans on making to the system. This entire scene, the entire set up by the teachers and staff is a time-consuming ruse, albeit one that drew me in. Fighting with authority may play a very minor role in Children of a Lesser God, but it’s an unnecessary distraction and nothing about what the film is actually about. Quickly enough, our speech teacher of the deaf sees the janitorial Sarah and her sassy, sexy ways. He introduces himself and works up to making a friendship and a romance, although that romantic chase is a scant twenty minutes of the production – two scenes really. The first is their first date. James takes Sarah to an Italian restaurant, where the red flags shoot right up, from questions like “what’s veal?” to falsely accusing the waiter of thinking she’s stupid because she’s deaf. As they finish eating, the music picks up and the couple starts dancing, Sarah writhing sensually in the middle of the floor, and James realizes that this woman is for him. I had a few issues here... maybe it’s a Canadian thing, but our Italian restaurants don’t have dance floors. Add the frumpy seniors dancing in the background and the moment where we see James fall head-over-heels for this woman becomes a twisted, surreal freak show. The second real romantic scene is the seduction in the pool, a decent moment where James' light-headed feelings of love are mirrored by the couple naked, un-breathing, underwater. In my opinion, this is where the story begins, and we start getting into the Drama of this Romantic Drama.
The problem with Children of a Lesser God is that it is human drama at its most honest - not at its most filmic: the script is full of unresolved emotional issues, the visuals are unimaginative, bland or outright distractingly awkward cinematography of everyday places, and Children of a Lesser God is full of dialogue that’s scripted but not polished. One of the things that impressed me quite a bit were the scenes which included James training deaf students in speaking skills. It seemed like real effort was put into making the students’ learning relevant, that through the deaf actors we could actually measure their improvements throughout the year thanks to James, but the director and production team ruin the entire effect of honest deaf-centric communication. Hollywood has always been afraid of including subtitles in film, and this is also true of Children of a Lesser God. Because there aren't subtitles for us to understand Sarah’s frequently frantic words, conversations have to sound like the dialogue of inanimate toys in a kids show, like Polka Dot Door: “What’s that, Humpty? Marlee Matlin, who won the Best Actress Oscar for this role is repeated constantly by James so he can exposit to the audience rather than subtitling her words and giving us a more natural script?” I expect deaf people watching this film would enjoy it as much as bilingual people hearing every conversation in a movie repeated in both languages. It must be infuriating, especially for those same deaf people who are entirely used to subtitles, but I digress, clearly Children of a Lesser God is a film for us, the majority, the hearing children of a greater God. All that to say that every opportunity the film had to show the differences of the deaf were cast away, where we could have been introduced us to the sub-cultural nuances of deaf society.
This sign... to connect... simple. But it means so much more when I do this. Now it means... to be joined in a relationship. Separate, but one. That's what I want. But you think for me, "think for Sarah". As though there were no "I." She will be with me, quit her job, learn how to play poker, leave Orin's party, learn how to speak. That's all you, not me. Until you let me be an "I," the way you are, you can never come inside my silence and know me. And I won't let myself know you. Until that time... we can't be like this...joined. - Sarah Norman
The Academy Awards clearly disagreed with me, but I didn’t particularly find either of our main actors to be a tour de force. There’s no chemistry. In fact there’s a dynamic of superiority held by speech teacher James since Sarah is ever a student who won’t learn, and the film, after everything, harps on this subject repeatedly. Also, I got embarrassed when Children of a Lesser God turned into a joke at the prom dance when the kids dressed and frolicked like in some Hecklefest tripe, to whose benefit, I have no idea.
I’m being particularly harsh on Children of a Lesser God, especially given that I recall being quite fond of the first half of the film, of James’ induction into the school, the discovery of its staff, students and love interest. Something happened later when I began distilling the world we were shown and I realized that Children of a Lesser God took a Lowest Common Denominator approach to making the film marketable instead of realistic.
Like most shots in Lesser God, this one shows epic displays of vast grandeur.
Performance: 7 Cinematography: 7 Script: 6 Plot: 6 Mood: 7
Overall Rating: 66% (Lesser Indeed)
All told I actually remember the film more fondly than my rating, and of course thanks to Children of a Lesser God, I have expanded my knowledge of sign language by two words. The F-word and beautiful, and I can string the two words in a sentence.