- Casino Royale Review
- Carrie (1976)
- Two-Lane Blacktop (1971)
- Trainspotting (1996)
- Rain Man (1988)
- Fatal Attraction (1987)
- Targets (1968)
- An Education (2009)
- Mirror, The (1974)
- Fargo (1996)
- Fight Club (1999)
- Do The Right Thing (1989)
- Report (1967)
- Is "The Sting" The Best Gambling Film Ever Made?
- Pink Flamingos (1972)
- Ox-Bow Incident, The (1943), Or 28 Angry Men
- Rome, Open City (1945)
- Spring in a Small Town (1948)
- Drive (2011)
- Vinyl (1965)
- Seconds (1966)
- Rosemary's Baby (1968)
- A Hollywood Invasion of Casino Halls
- Thin Man, The (1934)
- In The Heat of the Night (1967)
- All In: The Poker Movie, Player’s Best Tricks
- Invasion of the Body Snatchers (1956)
- 1001 Club - Skyfall (2012)
- 1001 Club - When Harry Met Sally... (1988)
- 1001 Club - Rain Man (1988)
Roma (1972)
She's Roman cause she's got the laurels, duh.
Genre: Comedy Drama Documentary (Italy, France)
Starring: Peter Gonzales Falcon, Fiona Florence
Directed By: Federico Fellini (Fellini - Satyricon; 8 1/2)
Overview: Director Federico Fellini unfolds to us a montage of his most beloved city: Rome.
Performance:
Fellini has a way of making his characters all seem very independent in their roles. Everything unfolds as the scene does. Little stories take place while others are observed. Tiny slices of life are focused upon for minutes, or mere seconds. The acting in this is very good, the touch of over-the-top that we experience from time to time doesn't detract from the lives we watch unfold.
Rating: 8
Cinematography:
The images are of Rome, inside, outside, daytime, nighttime, in the sky and underground, in the past and in the present. This is why people see this movie. It's interesting to look at, but given that this was shot in 1972, it seems that the camera work was a little shaky in several of the driving shots. It was unfortunate to be distracted by that.
Rating: 7
Script:
The tales told in the scenes are interesting. We get more a glimpse of an era and a commentary of Romans than a flow of ideas or a story. Last time I saw it, I remember much less dialogue. That's really because this film doesn't need that much script to get it's point across. The words just add to the characters on display.
Rating: 7
Plot:
The movie is plotless really. It's more of a showcase of a city through a couple of generations, including WWII and the modern era (early 70s). There is no great story save that of, "This city has survived and been reborn time and again, and it shall continue to do so". This film is more art house than mainsteam, like Baraka, but I enjoyed it still.
Rating: 6
Mood:
The mood of Rome seems very well captured, from brothels to boxing rings, from dining on La Piazza to digging underground subways. It's really a good look at a city's life. Each scene is stand alone, and the driving scenes, though shaky really worked well, because of the little dialogue.
Rating: 8
Oh yeah, Pope Parade!
Overall Rating: Overall Rating: 72% (Benne!)
Aftertaste:
The first time I saw this, I remember really liking it. So much so that years later I bought it. I don't know what happened to my memory, but I do recall a much better movie. Perhaps the fact that the first time I saw this I was nowhere near the film aficionado and critic I was then. The montage in my mind recalls a greater flow and vast panoramic scenes, like in Satiricon. Sadly I was a little disappointed the second time round, but it's interesting to see how tastes change.
Wow. Good point. I also remembered this film as being far more stunning cinematically the first time I saw it, and I was thinking of giving it a higher score, but somehow it really didn't do anything for me the second time around, and the shake... I found it less endearing than distracting...
You only gave the cinematography a 7?! The images are beautiful in this movie!
Where to start? The car accident, The welders at night, the Vatican fashion show...this film is a feast for the eyes and definitely a masterpiece!
Also, I disagree with criticizing the shaky camerawork. Yes it was made before the advent of the stedicam. That doesn't make it a flaw. There have been all sorts of technical innovations throughout the history of film - movies made before some of these inventions can be enjoyed precisley BECAUSE of the limitations that the directors had to work with. I for one have a great deal more respect for some of the extragvagant camera set ups of Fellini or Hitchcock because they were done with more bulky equipment and couldn't be "cheated" with CG in post. I know you're not the only one who does this, so sorry for the rant!