- Casino Royale Review
- Carrie (1976)
- Two-Lane Blacktop (1971)
- Trainspotting (1996)
- Rain Man (1988)
- Fatal Attraction (1987)
- Targets (1968)
- An Education (2009)
- Mirror, The (1974)
- Fargo (1996)
- Fight Club (1999)
- Do The Right Thing (1989)
- Report (1967)
- Is "The Sting" The Best Gambling Film Ever Made?
- Pink Flamingos (1972)
- Ox-Bow Incident, The (1943), Or 28 Angry Men
- Rome, Open City (1945)
- Spring in a Small Town (1948)
- Drive (2011)
- Vinyl (1965)
- Seconds (1966)
- Rosemary's Baby (1968)
- A Hollywood Invasion of Casino Halls
- Thin Man, The (1934)
- In The Heat of the Night (1967)
- All In: The Poker Movie, Player’s Best Tricks
- Invasion of the Body Snatchers (1956)
- 1001 Club - Skyfall (2012)
- 1001 Club - When Harry Met Sally... (1988)
- 1001 Club - Rain Man (1988)
Man Who Knew Too Much, The (1934)
Genre: Adventure Drama Mystery Noir Thriller (UK)
Overview: When a couple is brought into the fold of an assassination plot, the killers kidnap their daughter to keep them silent.
We have a huge name in Peter Lorre. He's this Hungarian-born dude who's voice became synonymous with lecherous malignance. As for his fedora, cigarette and his beady bulgy eyes, well that made sure that Film Noir would be his niche, so yeah, he's pretty effin' cool in this. As for the man who knew too much, his friend and his wife, we have exactly what I expected: a solid performance guided by a solid director.
You might not recognize the Hitchcockian streak here, but if it's probably because you'd mistake all these haunting visuals as elements of the genre, this classic Film Noir style we all know and love. But if you think about it for a while, you might then ask yourself, "Why is Hitchcock known as the MASTER of suspense?" Well when you help invent it, you tend to be allowed to hold the scepter...
The most disappointing part of the film would have to be the dialogue. We have this great story where these two guys have to go off and risk their lives where saying nothing might have spoken volumes instead of such dialogue as the police begging to be let in on the secret, or meaningless banter between the villains. I think I have an idea as to what Hitchcock looked at first when he decided to remake this in '56. You watch...
The story is fairly simple and full of intrigue. We start off with a dying man imploring the person nearest him to help them, giving them the keys to their hotel room. From there we learn about an assassination plot that would bring forth the Second World War in exactly the same way the First World War began. Those involved aren't able to bring in the cops for fear their daughter would be killed, so they set off to find the evildoers themselves. It's an interesting concept and there's some interesting finds along the way but the end falls apart when it takes us into a very unbelievable act of police bumbling and spectator rubbernecking.
Speaking of which, let me know next time there's a full out shootout with dead people in the streets so I can go gawk at the whole thing. I told Girlfriend of Squish that it's a pretty good sign that you're living in a really boring town when the whole neighbourhood goes TOWARDS the gunshots to watch the trouble. I guess the only thing worse would have been the cops saying "nothing to see here! Move along!" At least it's Film Noir, and decent at that.
Overall Rating: 72% (Didn't Know Enough To Make A Great Film...)
Here we go, all things Hitchcock in one nice package, Crime Thrillers combined with Mystery Suspense and you have a recipe for Film Noir worthy of being proud of. Sure it has its flaws but those fans out there who want to start a true study of 'Hitchcockian Hitchcock' can get away with calling this his first real 'creative control' film that began his trek through immortality.